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Junji Ito launches a spooky new short story collection just in time for Halloween


It’s been an interesting year for fans of Junji Ito. 2023 will end with animated adaptations of the famous horror master’s works; it begins with Netflix January selectionsalthough adult swim performance swirl It is expected to be published by the end of this year.In the middle is his new collection of English works Mimi’s horror storyThis is a collection of short stories inspired by urban legends, perfect for those dark, cold October nights.

The book itself is actually adapted from, taken from the following nine stories New unseen bag ——A collection of Japanese urban legends created by Hirokatsu Kihara and Ichiro Nakayama and transformed into Ito’s unique horror manga style. They tell the story of a college student named Mimi who keeps getting caught doing all kinds of supernatural shenanigans for reasons that she never really figures out.

The story starts out simple: Mimi is driving down the street and sees something strange on a telephone pole, and then, the ghost disappears. That’s it. The opening story is only four pages long, but it sets the tone for the rest of the story. Book. Like many of Ito’s works, Mimi’s horror story It’s about the blurred lines between life and death, and witnessing how the dead slip through the cracks and into the modern world.

Here, this situation can manifest itself in many ways. There’s a red dot in a hidden room that has an unsettling sense of hunger, while the tombstone seems to rotate on its own every night. At some point, the mystery is why a little bit. Every story starts out normal – like a trip to the beach with friends, or Mimi coming home to visit her family – but soon, someone or something is faced with something different from someone else. The horror of the place starts to make you lose your mind. The series even introduces one of Ito’s scariest monsters to date: the next-door neighbor (or maybe the neighbor)s) has stretchable mechanical limbs. If that thing was chasing me in a video game, I would have to put down the controller and walk away.

Ito’s meticulous style made it a success, as usual. His cityscapes are so precise and detailed that they really allow the otherworldly horror to pop up and add to the sense of dread. Mimi’s horror story It’s a perfect opportunity for him to flex his muscles in different directions, ranging from crazy bodybuilder to leggy, ethereal ghost. One of the fears is actually just a shadow – however, it’s probably the most shocking part of the series because it’s so relatable.

This English reprint adds a new story without Mimi, as well as Ito’s delightful illustrated afterword, in which he talks about how he changed and expanded the source material. “This was very rude behavior on the part of Kihara and Nakayama,” he wrote. “I basically did what I wanted to do. I am very grateful to the two authors for their kindness in allowing me such freedom.”

Personally, I’m grateful, too, because Ito’s horrific imagination always makes his work stand out. In a year full of adaptations, it’s nice to have someone remind us just how terrible things are on paper.



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