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‘Avatar: The Last Airbender’ Is Netflix’s Most Disappointing Live-Action Cartoon Show


Its focus is on thoughtful character development and the exploration of difficult themes such as genocide, Nickelodeon “Avatar: The Last Airbender” The show set a new high standard for children’s television. But despite its mature tone, Avatar Still a cartoon that tries to please you by playing to the strengths of the medium, which is perfect for realizing the Wizarding World Co-creators Michael Dante DiMartino and Brian Konietzko Dreamed about it.

watch Netflix’s new reality show Avatar series From the perspective of executive producers Albert Kim and Dan Lin, it’s clear that everyone involved in the show wants to be more than just its infamous whitewashed cinematic predecessor, and in some cases, it succeeds.But despite these good intentions, the new Avatar This is another example of Netflix taking a beloved animated work and turning it into something completely different from what people loved about the original.

The story takes place in a world torn apart by war, Avatar It tells the story of how three children were brought together by fate to overthrow the fascist empire. After years of living in the terror of the Fire Nation, it’s hard for members of Earth’s other elemental societies to see Fire Lord Ozai (Daniel Day). His fear of the Fire Nation keeps the two polar water tribes from crossing their borders, and It’s thanks to a deadly attack led by Ozai’s brother Iroh (Paul Seonhyung Lee) that the Earth Kingdom survives.They are always on high alert, but no one dares to challenge Oda’s hegemony or publicly gather resistance. The bigger reason is that everyone remembers how the war with the Fire Nation began. almost Destroy the Air Nomads once and for all.

These details are important to understanding the original work Avatars story. But the Netflix series features them, and it’s immediately obvious that this feels more like a gritty adventure by comparison. In addition to some rather nifty-looking chocobo-like creatures, explosive bending skills are also the first thing to notice.What you see in the new version Avatar Because it starts off with a high octane action sequence from the past. This is a great example of how much effort the show’s visual effects and choreography teams put into portraying each character. AvatarVarious bending styles serve as a unique balance between martial arts and elemental magic.

It’s cool to see earthbenders shoot pebbles like bullets and firebenders burn things with their bare hands, Avatar These visuals were placed front and center early on, mostly to illustrate how the Air Nomads had little hope of surviving the Fire Nation’s attack on a mountain temple.While all of this helps you understand the tragic circumstances that lead to young Airbender Aang (Gordon Cormier) – the newest Avatar capable of bending all four elements – becoming the sole survivor of his people, it also provides The entire series sets a heavy tone Avatar It’s struggling to get out of its own way as the larger story unfolds.

show Jumping ahead 100 years later, it’s more light-hearted and you can feel it paying homage to the cartoon, as its focus shifts to the Southern Water Tribe, introducing brother-sister duo Sokka (Ian Ousley) and Katara (Kiawentiio). Sokka is a well-meaning but stubborn teen who clings to tradition as a way of coping with the loss of her mother, while Katara is a promising waterbender who feels frozen in a village where no one has taught her how to perfect her skills.

Although some people have always been worried Netflix downplays Avatardescription of sexismThe new series does a great job of conveying Sokka’s regressive ideas about gender as both a moral failure and a weakness that will ultimately get you killed in combat. But while cartoon Sokka’s obsession with battle preparation is tempered by a subdued silliness, Owsley portrays the character as straighter and stiffer – qualities that sometimes make him seem grim. While Katara is still a curious and outspoken young woman, here the character is single-mindedly focused on becoming a more powerful waterbender, making her feel significantly less versatile than Katara. Her original incarnation.

Chiaventio and Owsley work best when they have actual physical objects to interact with, but many AvatarImportant moments were shot on virtual sets.Taking into account the number of different locations AvatarThe story is centered around its characters, and it makes sense that Netflix would try to cut costs by going digital to create more fantastical locations. But there’s so much unnatural lighting and so many scenes with objects in the background moving at breakneck speed that the show immediately feels like just another Netflix-branded live-action cartoon that would have been more useful if it had more substance. alright.

AvatarThe chemistry problems only intensify when the Gaang come together to tell each other what happened in the past and what is happening now. As the long-lost Avatar – a uniquely powerful bender whose soul is often reborn upon the death of a previous Avatar – Aang is the man with the power to end the Fire Nation’s plans for world domination. However, since Aang is trapped in an iceberg before he can reach his full potential, he must find masters like Katara and Sokka to help teach him. Not really slowed down, so their interpersonal dynamics don’t have enough time to develop in a way that feels organic, which makes them read like a bunch of kids awkwardly hanging out instead of people becoming friends.

Even though its eight episodes are about an hour each, it’s still a stretch for Netflix. Avatar Keep the same pace as the longer cartoon. Avatar The film attempts to meet this challenge by distilling its plot, and in the process strips away much of the narrative that helped make the original feel so masterful.

Netflix Avatar Try to distinguish the difference between movies and cartoons. But the execution failed because from the moment the Gaang came together, Avatar Never let you forget, in addition to exploring/preparing to save the world, they’re also racing to stay one step ahead of Prince Zuko (Liu Dallas), the exiled heir to the Fire King’s throne. Here, compared to the cartoon, the trajectory of Aang’s quest to master his powers becomes clearer from the jump, making the show feel as if it’s rushing to reach its climactic moment.

Most importantly, new AvatarThe pacing feels uncomfortable—not just because of how quickly the show moves, but also how that speed creates a sense of urgency that doesn’t seem to come from many of the characters themselves.With more breathing room, the show’s subplots would be richer and its central hero more compelling — and help Netflix launch another piece replace cowboy bebop.

“Avatar: The Last Airbender” Also starring: Elizabeth Yu, Ken Leung, Maria Chang, Kai-Chiu Lam, A. Martinez, Amber Midthunder, Yvonne Chapman, CS Lee, Danny Pudi and Utkarsh Ambudkar. All eight episodes of the first season were released on Netflix on February 22.



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